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c. 1445 – May 17, 1510. Italian painter.

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Pompeo Batoni
Portrait of Jose Monino, 1st Count of Floridablanca

ID: 76592

Pompeo Batoni Portrait of Jose Monino, 1st Count of Floridablanca
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Pompeo Batoni Portrait of Jose Monino, 1st Count of Floridablanca


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Pompeo Batoni

Italian 1708-1787 Pompeo Batoni Location Italian painter and draughtsman. In his day he was the most celebrated painter in Rome and one of the most famous in Europe. For nearly half a century he recorded the visits to Rome of international travellers on the GRAND TOUR in portraits that remain among the most memorable artistic accomplishments of the period. He was equally gifted as a history painter, and his religious and mythological paintings were sought after by the greatest princes of Europe.  Related Paintings of Pompeo Batoni :. | Hong Weiliangedeng Colonel | Triumph of Venice | Portrait of a Lady as Diana the Huntress | Ritratto del Principe Abbondio Rezzonico | Portrait of Emperor Joseph II (right) and his younger brother Grand Duke Leopold of Tuscany (left), who would later become Holy Roman Emperor as Leopo |
Related Artists:
Guillaume Seignac
He was born in Rennes, France, in 1870, and died in 1924. He started training at the Academie Julian in Paris, where he spent 1889 through 1895. He had a lot of teachers there, including Gabriel Ferrier, and Tony Robert-Fluery. Tony Robert Fluery was a noted history and genre artist. Gabriel Farrel, on the other hand, had been an awarded Prix de Rome. He had another one named William Bouguereau.
Samuel Hieronymous Grimm
Swiss Painter, 1733-1794 Swiss painter and draughtsman, active in England. He studied in Berne under Johann Ludwig Aberli and became established as a painter of topographical views in oil and watercolour. His early surviving works (e.g. River Landscape and Landscape with Chasseurs; Basle, priv. col.) are principally tinted drawings of landscapes and alpine scenery, with scenes of rustic life in the foreground; they display his characteristically charming and informal style. He also produced many decorative book illustrations: the frontispiece and plates to Friedrich von Hagedorn's Poetische Werke (1769-72) are among his finest. By 1764 Grimm had abandoned oils and was painting only in watercolour. From 1765 to 1768 he travelled and painted in France; he then moved to England,
Sir Lawrence Alma-Tadema,OM.RA,RWS
1836-1912






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